Find out More About the World of The Gemini Connection by Young Adult Sci-Fi/Fantasy and Horror Fiction Writer Teri Polen During OWS CyCon 2019

Welcome to another fantastic stop in our World-building Showcase blog hop! On this stop, we’re highlighting a story where the world changes or ends as we know it, but you can find a full list of authors and topics on the OWS Cycon website. Let’s dive in!
Welcome Teri Polen!
Before we dive in to the nitty gritty, what is The Gemini Connection about?

Teen twin brothers Evan and Simon Resnik are fiercely loyal to each other and share an unusual bond—they experience each other’s emotions as their own and can sense where the other is.
On their dying planet of Tage, scientists work tirelessly on its survival. Like the twins’ parents, Simon is a science prodigy, recruited at a young age to work with the brilliant creator of Scientific Innovations. To the bitter disappointment of their parents, Evan shows no aptitude or interest in science. As a Mindbender, he travels into the minds of scientists to locate buried memories, connect ideas and concepts, and battle recurring nightmares.
When Simon mysteriously disappears, Evan is plunged into a world of loss and unbearable guilt. For the first time, he can’t ‘feel’ Simon—it’s like he no longer exists. Evan blames himself. No one knows that he ignored his brother’s pleas for help on the night he went missing.
A year later, Simon is still gone. Evan lost his twin, but Tage might have lost its last hope of survival when it’s discovered that Simon’s unfinished project could be its salvation. Evan is determined to find him—somewhere—and bring Simon home. Their unusual connection might be more extraordinary than they know, and the key to locating Simon.
What kinds of climates do your characters experience? Do they see a lot of change or is it always the same? Has your world always had this kind of climate, or has it changed over time?
The climate on Tage has been rapidly declining over the past several years. Because of severe drought, fresh water supplies are nearly depleted. Tage is also experiencing a food shortage due to an incurable virus that’s run rampant through their animal population, and protein is in short supply. There are now early signs that the virus has jumped to their produce. Time is running out for this world.
What do people in your world do for fun? Are there sports, games, music, or other activities they do in their free time?
With their planet on the verge of dying, the people in this world are focused primarily on discovering a way to survive. A couple of years ago, my two main characters had relatively normal lives – sports, hanging out with friends, dating, etc., but Tage’s situation grew critical. If students were skilled in areas that could aid finding a solution, their education was fast-tracked, and they immediately began utilizing their talents.
What kinds of transportation and other interesting technology do your characters have access to? Are they ahead, behind, or a mix of different kinds of tech compared to where we are now?
Compared to our world, Tage is both scientifically and technologically advanced. One of my main characters, Evan, is a Mindbender. He travels into the minds of others and helps them connect thoughts and concepts, and also battles nightmares. Think a cross between Inception and The Matrix. His twin, Simon, is a gifted scientist working on a way to transport their people to a habitable planet—the problem is that it’s several light years away.
Your Process
When you build a world, what is your process like? Do you do a lot of research upfront, wing it completely, or something in between?
I’m something in between. I’ll come up with a concept, and then build around it. The world has to make sense—have its own rules, society, and systems—for it to be believable.
How central is the setting of your story to the story itself? Is it more of an interesting backdrop, or is it integral to the events of the story?
In The Gemini Connection, the setting is integral. Knowing their planet is dying sooner rather than later is one of the motivating factors for my characters. After Simon’s disappearance, it’s discovered that he found a way to save their population. But he’s been missing for a year, and his twin, Evan, is the only person who still believes Simon is alive.
When helping the reader get to know the world you built, what techniques do you use? Do you tend to be upfront about things, or keep the reader in the dark and feed them only bits at a time?
I weave in details. Info dumps at the beginning of a book are difficult to follow and unnecessary. I like to let my characters gradually introduce the reader to their world.
How much of a role does realism and hard scientific fact play in your world-building? Do you strive for 100% accuracy, or do you leave room for the fantastical and unexplainable in your world?
I learned a good bit about quantum physics during research for this story, so there’s a semi-factual base, but trust me when I say everything isn’t hard scientific fact. That’s why I write fiction—I get to make up stuff.
Do you have any specialized training or background from your “real life” that has informed your world-building?
Not one bit.
How do you keep all of the details of your world and characters straight? Do you have a system for deciding on different factors and keeping it all organized, or does it live more in your head?
I have friends that make spread sheets, color-coded files, special notebooks—all helpful, organized ways to keep story details straight and easy to reference. My mind doesn’t tend to work that way. I have a couple of notebooks where I jot down things as they come to me, notes in my phone, notes in the draft—basically, stuff all over the place. Once I’m ready for the final draft, I’ll gather everything and make an edit list based on all of my notes. It’s definitely not the most efficient way, but it works for me.
Did you experience any difficulties while building your world? Any facts that refused to cooperate or inconsistencies you needed to address while editing?
This one came to me pretty easily. A couple of things I had to get creative with scientifically, but it worked in the end. My current WIP? Roadblocks everywhere.
Where can people find you on the web?
Thanks so much for hosting me today! This is my first experience with CyCon, and it’s been a blast. My social media links and purchase links are below—I’d love to hear from you!
Buy Links:
https://www.amazon.com/Teri-Polen/e/B01MYOUA6V
https://www.barnesandnoble.com/w/the-gemini-connection-teri-polen/1128081066
http://www.blackrosewriting.com/childrens-booksya/thegeminiconnection
Contact Links:
Website: https://teripolen.com/
Facebook: https://www.facebook.com/TeriPolenAuthor/
Twitter: https://twitter.com/TPolen6
Goodreads: https://www.goodreads.com/author/show/16114393.Teri_Polen
Instagram: https://www.instagram.com/tpolen6/
Pinterest: https://www.pinterest.com/teripolen/
BookBub: https://www.bookbub.com/profile/teri-polen
What reviewers are saying:
“…hits all the right marks for an engrossing tale with engaging characters.”
“…unique story filled with unexpected surprises.”
“…intensely beautiful relationships and friendships…an awesome LGBT relationship!”
“…edge of your seat sci-fi with a mystery!”
For more stops on our End of the World World-building Showcase, visit the tour page on the OWS CyCon website. You can also find more great Sci Fi authors and books on our main Sci Fi event page.
I had to laugh at your last sentence, Teri. Isn’t it amazing how some things fall easily in place and others refuse to cooperate? 🙂
You created an intriguing world with Tage. And science-fiction doesn’t need a lot of hard science for me to be good sci-fi. I actually prefer the opposite with a lot of wiggle room for the authors imagination. I enjoyed The Gemini Connection, not just because ion the world building you did, but the great characters, too!
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Thanks so much, Mae! I enjoy that wiggle room in sci-fi – which I really took advantage of with TGC. But that’s why I write fiction – I get to make up stuff, lol.
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